Learning the Gayageum

Thanks to an introduction from a friend, I started learning the Korean gayageum instrument. The gayageum is a zither-like instrument similar to the Chinese guzheng or the Japanese koto. It is named as such since tradition posits its origins from the ancient Gaya states; the instrument was said to have been introduced into Gaya from China. The one I'm learning is the traditional gayageum with twelve strings and apparently, it's mostly played by women (although a number of gayageum masters are men). My instructor explained that this is because its sound is seen as being more "feminine" in comparison to the "masculine" geomungo. People here seemed quite surprised that I chose to take up this particular instrument instead of the daegeum (large woodwind) or janggu (hourglass drum). I explained to them that it's not unusual in Chinese and Vietnamese cultures for men to play the guzheng and dan tranh and that I wanted to play something more unusual since foreigners seem to be more interested in the janggu and samulnori than the more classical music.

The lessons have been going good although my fingers are becoming quite sore from all that plucking. Playing it and figuring out the musical scales is far more difficult than it seems! I don't have any musical background, but according to a friend, this is actually an advantage because Korean instruments and methods of performing music are so different from Western ones. My instructor charges a high price for lessons, but her abilities are quite impressive and she also happens to be a renowned musician. She doesn't speak much English, unfortunately, so we sometimes have to struggle to communicate through broken English and Korean. Nonetheless, I'm learning faster than I expected. Here's to hoping that I can at least play Arirang before my time in Korea is up!

Korean Koto

I really wanted to learn the gayageum while I was in Korea but never got around to it. I study traditional Okinawan music where you sing and play the sanshin, which is the predecessorr to the Japanese shamisen. It is shorter and has snake skin like the Chinese sanxian.

Anyways, they also use an Okinawan koto (kutu) and I wanted to learn the gayageum in Korea so I could transfer what I learned on the kutu. 

"Feminine" instrument

There are several male players of gayageum and some of the best gayageum virtuosos are men, but it seems that it's really considered fairly "feminine." I still get reactions of a baffled surprise from people. At the Chukhyang conservatory, it appears that I'm the only guy learning the gayageum (and I wouldn't be surprised if that was really the case).

Judging by the sounds of the gayageum, I suppose one can improvise and use it to play Chinese, Japanese, or Vietnamese tunes since it's so similar to the guzheng, koto, and dan tranh. However, its sounds are a bit distinct. It's not as soft as the guzheng and it has more of a "twang"-y sound when compared to the koto.

Arirang on the Gayageum

I've finally learned how to play the "Arirang" (the first part, at least) and a bit of "Doraji" on the gayageum. It's a relatively straightforward song and it has a simple pattern. Now the next challenge is to figure out how to do all the left-handed finger work...